https://www.facebook.com/952457084624933/

Cordillerabilia, Etc., Brgy. Santolan, Pasig (2026)

23/02/2026

VINTAGE IFUGAO BLACK HAGABI MINI-BENCH Circa late 1960s (For Pick-up Only)
Price: P20,000 (originally priced @ P35K)

Specifications:
Length = 96 inches or 8 feet long
Height = 10-13 inches
Width = 11 inches
Material – Red narra
Color: Dark brown to black
Weight – Very heavy
Condition – Heavily used but still in good condition
Issue: Natural crack/dent on the seat surface

Provenance:
This exquisite vintage Ifugao black hagabi mini-bench, dating back to the late 1960s, was meticulously carved from a single trunk of red narra hardwood and was once owned by an affluent Ifugao family in Hingyon, Ifugao.

Description:
The hagabi serves as a long wooden lounge bench, symbolizing wealth, status, and prestige within the Ifugao community in the Philippines. Characterized by its stylized animal heads at each end, the bench's creation involves elaborate community rituals and feasts that honor the owner's elevated social standing, known as kadangyan. Beyond its practical use for lounging, the hagabi also plays a central role in various rituals, and its distinctive motifs can be found in smaller crafted items, including carved boxes, spoons, and miniature gift benches.

23/02/2026

AN OLD CONTEMPORARY IFUGAO TINAGTAGGU (GECKO/LIZARD) CARVED COFFEE TABLE Circa 1990s (For Pick-up only)
Price: P15K (originally priced at P25K)

Specifications:
Motif –Tinagtaggu (Gecko/Lizard motif)
Dimensions –
Viewed from the tabletop – 35.5” L x 19.5” W
Overall height – 27.5”H
Tabletop thickness – 3” T
Leg panel height (2 side leg panels) – 24.5” h
Leg panel thickness (2 panels) – 2” t
Platform thickness – 2” t
Color – Naturally varnished to reveal its yellow narra wood surface
Material – Yellow narra wood
Weight – very heavy
Condition – Used but still looks like new

Provenance:
A small, old Tinagtaggu (gecko/lizard) carved low multi-purpose narra table, dating back to the 1990s, that can be used as a coffee table or corner table, was sourced from a traditional Ifugao house (bale) belonging to a wealthy family of the Kadangyan class. This functional piece was situated within the receiving area inside a bale, which was dismantled and demolished in the early 2000s.

Description:
There is no specific traditional local name for tinagtaggu-motiff carved wooden coffee or corner table in Cordillera, as it is not a traditional item. The form is likely a modern adaptation of the traditional Bulul or gecko/lizard motif into a piece of contemporary furniture, usually made from narra or ipil wood.

This multi-purpose low table is a modern product, likely created for the non-Ifugao market, incorporating the iconicTinagtaggu carving as a design element. Traditional Ifugao furniture is rare, but those carvings symbolize wealth and prestige.

23/02/2026

AN OLD CONTEMPORARY IFUGAO TINAGTAGGU (BULUL) CARVED COFFEE TABLE Circa 1990s (For Pick-up only)
Price: P20K (originally priced at P35K)

Specifications:
Motif –Tinagtaggu (Bulul) carving
Dimensions –
Viewed from the tabletop – 48” L x 33” W
Overall height – 31”H
Tabletop thickness – 2” T
Bulul-carved leg height (4 legs) – 29” h
Bulul leg dimensions – 4” x 4”
Table Beam width– 5” w
Color – Naturally varnished to reveal its yellow narra wood surface
Material – Yellow narra wood
Weight – very heavy
Condition – Used but still looks like new

Provenance:
A bigger-sized, old Tinagtaggu (Bulul-motif) carved low multi-purpose narra table that can be used as a coffee table or corner table, dating back to the 1990s, was sourced from a traditional Ifugao house, or bale, that belonged to a wealthy family of the Kadangyan class. This functional piece was situated within the receiving area inside a bale, which was dismantled and demolished in the early 2000s.

Description:
There is no specific traditional local name for Tinagtaggu-motiff carved wooden coffee or corner table in Cordillera, as it is not a traditional item. The form is likely a modern adaptation of the traditional Bulul or gecko/lizard motif into a piece of contemporary furniture, usually made from narra or ipil wood.

This multi-purpose low table is a modern product, likely created for the non-Ifugao market, incorporating the iconic Tinagtaggu carving as a design element. Traditional Ifugao furniture is rare, but those carvings symbolize wealth and prestige.

21/02/2026

VINTAGE IFUGAO/BONTOC PANG-IWA MEAT CUTTERS/SLICERS Circa Late 1980s

Prices:
Set of 2 Pang-iwa – P20K (originally priced at P35K/set)
But, it can also be sold individually ...
Ifugao Pang-iwa (Bulul-motif) – P10K
Bontoc Pang-iwa (dog-motif) – P20K

Specifications:
Ifugao pang-iwa – 12” base W x 10” bulul-motif stand H x 8” long blade
Bontoc pang-iwa – 16” base W x 17.5” dog-motif stand H x 9” long blade

Materials:
Each has narra wooden stand & base with an iron blade

Condition:
Used but still in good condition with resin repainted wooden stands & bases, and rusted iron blades due to age.

Provenance:
Both pang-iwa meat cutters/ slicers are vintage, dating back to the late 1980s. The Ifugao pang-iwa was acquired from Brgy. Cambulo, Banaue, Ifugao, while the Bontoc pang-iwa was acquired from Brgy. Tete-pan Sur, Sagada, Mountain Province.

Description:
Pang-iwa, also known as pang-owa, pang-oa, or pang-iwaa, refers to a traditional meat cutter or slicer utilized by the Ifugao tribe in Ifugao, as well as by the Bontoc and Kankana-ey tribes in the Mountain Province. The term ‘iwa’ signifies the act of cutting or slicing in the Kankanaey language. This tool is essential for butchering and food preparation during cultural rituals and gatherings, showcasing the indigenous craftsmanship of these Cordilleran tribes.

Pang-iwa features an upward-facing, sharp-edged forged metal blade mounted on a sturdy wooden stand, often requiring the user to apply weight while cutting. The stand is typically crafted from durable hardwoods like narra or ipil, which are associated with wealth and social status in the region.

The Ifugao version of the pang-iwa is often adorned with intricate carvings that depict anthropomorphic figures or motifs related to Bulul, the rice deity. In contrast, the Bontoc and Kankan-ey pang-iwa showcase zoomorphic designs, featuring stylized representations of animals such as pigs, dogs, or lizards. These carvings symbolize ancestral spirits or guardians, believed to protect granaries. While primarily used for meat preparation, some variations of the pang-iwa are equipped with specialized blades for grating coconut meat, known as kambolo in Barlig, particularly within the Bontoc and Kankana-ey communities.

21/02/2026

OLD SAKGUD (Carabao and Cow’s Horns) DECORS
Price: P2.500.00 each set of horns

Specifications:
Sakgud di Nuwang (Carabao’s Horns) – 32 inches long
Sakgud di Baka (Cow’s Horns) – 17.5 inches long
Design - Each set of horns is attached to a portion of an animal skull (carabao or cow) with
a rattan-woven handle.
Condition - Still in very good condition.

Provenance:
Old carabao and cow’s horn decorations, circa late 1990s.

Description:
In the cultures of Ifugao and other Cordilleran communities, the term sakgud (alternatively spelled sakngud or hakgud) refers to the horns of the ‘nuwang’ (carabao or Asian water buffalo) and ‘baka’ (cow). The phrases sakgud di nuwang and sakgud di baka denote carabao and cow horns, respectively, which are prominently displayed outside homes to signify the successful completion of a feast or significant life event. While both types of horns can be exhibited, carabao horns hold greater importance in traditional status representation, as the carabao is the principal ritual animal for high-prestige feasts such as the hagabi or uyauy. Although cow horns may also be shown as a marker of wealth, they typically indicate smaller or secondary sacrificial occasions. In certain regions, the term hakaud is used to describe a carabao skull and horns presented together as a unified display.

Sakgud represents wealth, social status, and significant family events, such as weddings where livestock is sacrificed. It serves as a public testament to a family's achievements and generosity, although its role has evolved, with some using it merely for decorative purposes. A prominent display of horns signifies a family's economic strength and their capacity to host large gatherings. While these horns may seem like mere ornaments to outsiders, they function as 'badges of honor,' conveying rich cultural narratives about the household. Historically, they denoted a leader's status within the community, symbolizing both leadership and bravery, and at times, they were believed to possess spiritual significance, protecting against malevolent spirits.

The placement of sakgud outside a home or beneath its eaves is a clear indicator of the family's Kadangyan status, reflecting deep cultural importance. This display not only signifies the family's ability to share blessings through communal feasts but also represents their efforts to maintain harmony with the divine, seeking favor from deities like Kabunyan. Each set of horns typically corresponds to an animal sacrificed for significant communal events, such as weddings or prestigious rites. A large collection of horns illustrates a family's resources and willingness to provide for their community, serving as a source of cultural pride and respect. Beyond their historical significance, polished horns may also honor the loyalty of a carabao or serve purely aesthetic purposes, while the iconic shape of sakgud influences other Ifugao status symbols, such as the ceremonial hornbill headdress worn by the nobility.

21/02/2026

VINTAGE IFUGAO PAHUR SPEARS Circa late 1980s (For Pick-up Only)
Price: P3,500.00/ each (originally priced at P4,000.00/ each)

Specifications:
No.: 2 available spears
Length: Spear 1 – 76 inches long and Spear 2 – 76.5 inches long

Condition: slightly used and still in very good condition

Provenance:
These 2 vintage pahul spears, dating back to the late 1980s, were previously owned by an Ifugao hunter belonging to one of the affluent families of the ‘Kadangyan’ class, the upper class of the Ifugao community. Being the firstborn son, these two spears were among the hunter’s gear given to him by his father, who was also a great hunter.

Description:
In the Ifugao culture, the term pahul (sometimes spelled pahur) encompasses various types of spears. Still, it specifically denotes the Pahul qan Gayang, a distinguished war spear often referred to as the "rich man’s fighting spear" or the "spear of the firstborn." This weapon was historically exclusive to the Kadangyan, the elite class within the society, highlighting its significance and prestige.
The Pahul qan Gayang is characterized by its Gayang-style head, which features a distinctive splayed, double-bladed edge or "fishtail" barbs. The metal head is meticulously attached to a wooden shaft using fine rattan wrapping (bajuco), and it typically includes a heavy metal tip at the base for added protection and balance. Notably, it is regarded as one of the longest spears in the Cordillera region, with a traditional measurement ensuring that its tip extends at least six inches above the wielder's forehead.
Although its name translates to "war spear," the Pahul's elevated status means it is often employed in ceremonial contexts, serving as an heirloom for the firstborn or as a symbol of authority during important tribal events. This dual role underscores the spear's cultural significance, bridging the realms of warfare and tradition within the Ifugao community.

21/02/2026

AN OLD BONTOC BINUWAYA/FINUWAYA (Mother-of-Pearl) NECKLACE Circa late 1990s

Price: P20K (originally priced at P35K)

Specifications:
Drop Length – 22.5” L
Width – 16” W
Circumference – 52”
Chain Length (closed rattan-woven lace) – 17”
Pendant Length (centerpiece) – 35”
Pendant size – 4-5” each element measured from the top of a wooden intersperse to the tip of the leaf-shaped shell

Materials:
50 elements of ‘toothy,’ leaf-shaped mother-of-pearl shell, each interwoven with segments of runo reed and elaborate rattan designs with wooden intersperse in between elements, and laced with rattan-woven chain, varnished all-over with amber/ yellow-brown resin.

Condition:
Slightly used but still looks new

Provenance:
Acquired from a Bontoc elder belonging to a Kadangyan upper-class community residing at Sagada, Mountain Province, who made a contemporary replica of his warrior father’s old binuwaya necklace and wore it only once during a Lang-ay Festival on the first week of April 1997, coinciding with the 30th anniversary of the foundation of Mountain Province.

Description:
The binuwaya (benowaya) or finuwaya (fenowaya) necklace is a modern reinterpretation of the ancient 'crocodile-teeth' necklace, originally known as the buwaya (boaya) or fuwaya (foaya) necklace, which featured Indo-Pacific crocodile teeth as pendants. The term buwaya (boaya) or fuwaya (foaya)) translates directly to crocodile, and these necklaces were traditionally worn by elite men during important rituals, including headhunting and rice production ceremonies. They were believed to embody the 'spirit of the crocodile,' symbolizing strength, ferocity, and protection. As crocodiles have become increasingly rare in the Philippines, contemporary artisans have adapted this tradition by using alternative materials to replicate the appearance of crocodile teeth. Today, these artisans create necklaces using toothy, leaf-shaped mother-of-pearl shells, boar tusks, or even bones and teeth from animals like pigs or dogs. Consequently, these modern adaptations are now referred to as benowaya or fenowaya necklaces, with the terms meaning 'crocodile-like.'

20/02/2026

VINTAGE IFUGAO BULUL WINE SERVER (Bulul l'tag-u or Kuyu) Circa Late 1960s

Price: P20,000.00 (originally priced @ P30K)

Specifications:
Dimensions –
Viewed from top - 15" L x 14" W
Overall Height (top of Bulul head) - 22" H
Height on top of Duyo bowl - 12" h
Material – Most probably an amugawon wood
Condition – Heavily used, but still in good condition with minor flaws due to age
Weight – Very heavy

Provenance:
A vintage Bulul wine server, once owned by a Mumbaki (priest) from the esteemed Kandangyan family in Hingyon, Ifugao, serves as a significant ritual artifact. This ceremonial piece was utilized in various Baki rituals to hold Bayah rice wine, facilitating the Mumbaki's communication with the ancestors of the Kandangyan lineage in the late 1960s to 1970s and throughout the early 1980s.

Description:
Bulul are anthropomorphic wooden sculptures created by the Ifugao people of the northern Philippines, serving as protectors of rice granaries. These figures are believed to safeguard rice crops from pests and contribute to a prosperous harvest, embodying the community's wealth, happiness, and overall well-being. Typically carved in male and female pairs, bulul hold significant cultural importance and are viewed as a link to ancestral spirits.
Functioning as "granary guardians," bulul are thought to repel pests and ensure successful rice yields. These human-like carvings, often depicted in various poses such as standing or sitting with arms folded or crossed over their knees, are crafted from durable hardwoods like narra. Their dual representation of ancestral spirits or guardian deities further enhances their cultural significance.
Integral to Ifugao rice culture, bulul are not only revered as artistic creations but also as sacred objects. The process of crafting a bulul is ritualistic, beginning with the selection of a tree, often guided by a mumbaki, or priest. Following their creation, these figures undergo consecration through rituals that may involve chanting, animal sacrifices, and offerings like rice wine, which contribute to the unique patina that develops over time.
There are several varieties of Bulul statues, among which the Bulul wine server stands out. Known locally as Bulul l'tag-u or Kuyu, this figure is intricately carved to hold or protect a Kuyu, a wooden vessel used for serving rice wine. It serves as a compelling link between the secular and sacred realms, embodying both everyday utility and ritual significance. During the Baki ritual, the wine server plays a crucial role by holding Bayah, the rice wine that facilitates communication between the Mumbaki, or priest, and the ancestors.
The Bulul wine server comes in two distinct forms: the seated and the standing variants. While both types fulfill the same essential purpose of holding Bayah during the Baki, their differing postures convey unique ritual energies and regional meanings. The seated wine server, often referred to as the ‘Internal’ Spirit, is the traditional choice in the Central and Northern Ifugao regions, including Hingyon. This form symbolizes contemplation and stability, as it appears to absorb and protect the power of the wine, often cradling the vessel or balancing it on its head.
The seated figure's lower position connects it more intimately with the ground, symbolizing a bond with the ancestors who dwell within the earth and the foundations of the Bale, or house. Its compact and heavy appearance enhances the sense of spiritual weight, reinforcing the idea of the Bulul as a guardian of the wine. This thoughtful design reflects the deep cultural significance attributed to the Bulul wine server within Ifugao art and ritual practices.
While the Standing Wine Server, known as the 'Active' Guardian, is primarily linked to the Western and Southern Ifugao styles, it can also be found in Hingyon. This figure symbolizes vigilance, readiness, and proactive protection. When depicted in a standing position, it often indicates that the ritual being conducted is one of 'petition' or 'defense,' invoking the ancestors to take action on behalf of the family. These figures are typically more dynamic in a ritual context and are often described as being 'on duty,' characterized by their elongated forms. When the bowl is placed on the head, it highlights the vertical connection between the Earth and the Skyworld, known as Kabunian.

20/02/2026

VINTAGE IFUGAO (HAPAO) BULUL COUPLE Circa 1980s (For Pick-up Only)
Price: P20K (originally priced at P40K)

Specifications:
Type: Hapao Bulul (ornamented with traditional textile and human hair)
Size (height): Both statues are 21.50” H
Color: Dark brown to black mixed with patina surface due to old age.
Material: Presumably carved from a red narra wood.
Weight: Heavy
Condition: Used but still in good condition.

Provenance:
These vintage Bulul figures, dating back to the 1980s, originate from Barangay Hapao in Hungduan, Ifugao. The Hapao Bulul is distinguished among the various types of Bulul in the Cordillera region, characterized by its robust and compact form. Crafted from hardwood, likely red narra, these statues are traditionally adorned with a wano (loincloth) for the male figure and a tapis (skirt) for the female. Additionally, both pieces feature embellishments of actual human hair, enhancing their cultural significance.

Description:
Bulul are anthropomorphic wooden carvings from the Ifugao people of the northern Philippines that act as guardians of rice granaries. They are believed to protect rice crops from pests and ensure a bountiful harvest, symbolizing wealth, happiness, and well-being for the community. These figures, often carved in male and female pairs, are a significant part of Ifugao culture and are also seen as a connection to ancestors and spirits.

Bulul are "granary guardians" that are believed to ward off pests and ensure a good rice harvest. They are also seen as representing the spirits of ancestors or guardian deities. They are carved figures that represent human-like forms, often in pairs of male and female. They are typically depicted in various stances, such as standing or sitting, with arms folded or crossed over their knees. They are often made from hardwoods, such as narra.
Bulul are central to the Ifugao rice culture and are highly respected as works of art. The creation of a bulul involves a ritualistic process, including selecting a tree with the help of a mumbaki (priest).

Once created, bulul are consecrated through rituals that may include chanting, animal sacrifice, and offerings such as rice wine, which can create a ritualistic patina on the figure.

20/02/2026

SOLD - VINTAGE IFUGAO HAGABI MINI-BENCH Circa late 1970s (For Pick-up Only)

Specifications:
Length = 75 inches or 6,25 feet long
Height = 10-13 inches or 0.83-1.08 feet high
Width = 13 inches or 1.08 feet wide
Material – Amugawon solid hardwood
Color: Natural light grayish brown
Weight – very heavy
Issue: Natural crack on the seat surface

Price: P15K (originally priced @ P20K)

Provenance:
This exquisite vintage Ifugao hagabi mini-bench, dating back to the late 1970s, was meticulously carved from a single trunk of amugawon hardwood and was once owned by an affluent Ifugao family in Hingyon, Ifugao.

Description:
The hagabi serves as a long wooden lounge bench, symbolizing wealth, status, and prestige within the Ifugao community in the Philippines. Characterized by its stylized animal heads at each end, the bench's creation involves elaborate community rituals and feasts that honor the owner's elevated social standing, known as kadangyan. Beyond its practical use for lounging, the hagabi also plays a central role in various rituals, and its distinctive motifs can be found in smaller crafted items, including carved boxes, spoons, and miniature gift benches.

19/02/2026

AN OLD IFUGAO SMILING SUN-CARVED WOODEN WALL DÉCOR Circa 1990s

Priced: P4,000.00 (originally priced at P5K)

Specifications:
Design – ‘Smiling sun’ carving motif with stylized rays
Dimensions – 24” x 24” (diameter)
Material – Narra
Weight – Heavy
Condition – Used but still looks new

Provenance:
This old Smiling Sun-Carved Wooden Wall Décor was previously owned by an affluent family belonging to the Kadangyan class, an upper class in a community in Hingyon, Ifugao. Though it was only a 1990s object, it used to hang on the main door of an old bale (Igorot traditional house) that was demolished way back in the early 2000s.
Description:
The wooden wall decor known as the 'smiling sun-carved' design is a popular interior decoration in the Cordillera region, particularly in Banaue and the surrounding Ifugao areas. Often referred to as the 'smiling sun motif' or folk-art wood carving, this item is primarily aimed at the tourist market rather than serving as an ancient ritual object like the Bulul. Nevertheless, it is regarded as a significant element of contemporary Cordilleran folk art. These carvings are predominantly found in the Banaue municipality and along the Mayoyao roads in the Bocos barangay. They are sold all over the Cordillera provinces, most especially in Baguio City.
Locally termed 'Kinudgit an init an inukit di dingding' in Tuwali Ifugao, this phrase translates to 'smiling sun-carved wall decor.' The components of the term highlight its features: 'kinudgit' or 'kinuyyit' signifies a smiling face, 'init' refers to the sun, 'inukit' means carved, and 'di dingding' indicates wall decor. This nomenclature underscores the craftsmanship involved in creating the sun face, which is deeply rooted in the woodcarving traditions of the Igorot people, known for their intricate wooden sculptures, including the bul-ul, which represents rice deities.
Characterized by a round, stylized sun face with rays and a cheerful expression, they are designed for wall hanging or as door decorations. In addition to the smiling sun, local artisans produce a diverse array of wood art, including traditional carvings like the Bulul and kinnalabig, as well as wooden masks. While many of these pieces draw inspiration from traditional artistry, the smiling sun carvings have evolved into decorative home art, reflecting the rich woodcarving heritage of the Cordillera people. The ‘smiling sun’ often symbolizes warmth, happiness, and well-being, sometimes crafted from local narra or pine wood. These items are part of the broader, rich woodcarving tradition of the Cordillera people, which has adapted to include more decorative and, sometimes, whimsical designs for modern use.

19/02/2026

SOLD - VINTAGE IFUGAO LIBBIT OR LUDAG BULUL-CARVED WOODEN DRUMS Circa 1980s
(For Pick-up Only)

Price: P20,000.00 for a set of 4 drums (originally priced at P25K/set)

Dimensions:
Libbit Drum 1 - 7"D x 32"H (with carved bowl)
Libbit Drum 2 - 9"D x 20.5"H
Libbit Drum 3 - 9"D x 16.5"H
Libbit Drum 4 - 8.5"D x 14"H

Condition:
Used but still in good condition

Provenance:
These are vintage Ifugao libbit or ludag Bulul-carved wooden drums, dating back to the 1980s from Hingyon, Ifugao.

Description:
The libbit drum is a traditional, single-headed percussion instrument characterized by its goblet or conical shape, primarily used by the indigenous Ifugao people of the Cordillera region. In certain contexts, the term "libbit" may be used interchangeably with "ludag," referring to a smaller ceremonial drum within the Ifugao culture. This drum is meticulously carved from a single piece of hardwood, featuring a narrow top that tapers down to a broader base.

Crafted with a drumhead made from stretched animal skin—typically sourced from deer, goats, or lizards—the libbit drum often showcases intricate carvings, including decorative motifs such as lizards. Some variations of the libbit are designed to resemble the seated or standing figure of a Bulul, a traditional rice deity. This ceremonial instrument plays a vital role during the hongan di page, or rice rituals, where it is used to summon rice deities for sacrificial offerings, as well as during harvest celebrations beneath rice granaries.

While the libbit is frequently mentioned alongside the ludag, the latter is sometimes specifically defined as a longer, hollowed-out wooden drum that can reach lengths of up to 1.5 meters, particularly associated with the Apayao and other groups within the Cordillera region. The libbit drum is typically played with the palms. At the same time, the musician sits, positioning the drum diagonally across their lap, often accompanied by the resonant sounds of gangsa, or flat gongs.

Cordillerabilia, Etc.

23/02/2026

23/02/2026

23/02/2026

21/02/2026

21/02/2026

21/02/2026

21/02/2026

20/02/2026

20/02/2026

20/02/2026

19/02/2026

19/02/2026

Address

Website

Alerts

Shortcuts

Share

Category